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Stanza di Venti nel Teatro di Belvedere di Frascati
Giovanni Battista Falda
1660–78

Plate 2: Cain and Abel from Genesis Chapter 4, after a lost fresco in the basamento of Bay 2 of the Vatican Loggia
Pietro Santi Bartoli
1650–77

Man Subduing a Harpy, Seated on Its Back, Pulling Its Hair, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII

Giuseppe Maria Mitelli

1663

Plate 5: Isaac telling Esau to hunt for meat at left and Jacob and Rebekah at right, from Genesis 27, after a lost fresco in the basamento of Bay 5 of the Vatican Loggia
Pietro Santi Bartoli
1650–77

Effigies insignia nomina cognomina patriae et dies promotionis ac obitus summorum pontificum et S.R.E. Cardinalium Defunctorum ab anno 1658

Albertus Clouwet

1676 or later

Plate 50: The adoration of the Magi; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael

Pietro Aquila

1675

Plate 7: a battle taking place between men in boats
Pietro Santi Bartoli
ca. 1660–90

Title page of a series of nine plates, after the Assembly of the Gods ceiling fresco (1624-25) by Giovanni Lanfranco in the Villa Borghese, Rome

Pietro Aquila

ca. 1670–91

Vendor of Chicken Dung, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 30

Giuseppe Maria Mitelli

printed 1740

Plate 12: Noah kneeling before an altar, about to slaughter a ram as a sacrifice; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael

Cesare Fantetti

1675

Plate 21: Jacob asleep, arm resting on a rock, as God and angels descend a staircase in the distance; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael

Cesare Fantetti

1675

Veduta di Tutta la Basilica Vaticana (...) from: Il Nuovo Teatro delle Fabbriche, et Edificii, in Prospettiva di Rome Moderna (...)
Giovanni Battista Falda
1665–69

Bust of a young woman and an old man, from a series of twenty-two engravings after Guercino's drawing book, Book on the Principles of Drawing, plate 20

Oliviero Gatti

1619

Vero e novo disegno di Frascati con tutte le ville convicine

Dominique Barrière

ca. 1630–78

The Trojans Taking Sinon Prisoner, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII

Giuseppe Maria Mitelli

1663

Plate 1: God the Father creating the earth and the sky; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael

Cesare Fantetti

1675

Plate 3: Saint Joseph and other saints with a lute-playing angel, from a series of eight prints after the fresco cycle "The Assumption of the Virgin" by Giovanni Lanfranco in the dome of the church of Sant'Andrea della Valle, Rome

Carlo Cesi

1680

Allegory of Winter

Pietro Testa

1644

Plate 35: God appearing as a pillar of smoke in the Israelite camp to speak to Moses; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael

Cesare Fantetti

1675

Palazzo del Duca di Ceri (Palazzo Poli)

Pietro Ferrerio

1655

Composition with stucco ornaments, Castor and Pollux, and Cybele and Ceres, from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome

Carlo Cesi

ca. 1661

Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (4)

Theodor Bang

17th century

Man Carrying a Barrel of Wine, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 36

Giuseppe Maria Mitelli

1660

A young woman, with a veil on her head, looking upward, from a series of twenty engravings after Guercino's Libro dei disegni

Francesco Curti

1635–40

Man's torso and arms, from a series of twenty-two engravings after Guercino's drawing book, Book on the Principles of Drawing, plate 8

Oliviero Gatti

1619

Palazzi di Roma de Piu Celebri Architetti Disegnati da Pietro Ferrerio Pittore e Architetto

Pietro Ferrerio

1655

Torso of a man, from a series of twenty-two engravings after Guercino's drawing book, Book on the Principles of Drawing, plate 13

Oliviero Gatti

1619

Plate 7: Joseph Making Himself Known to his Brothers, from Genesis 45, after a lost fresco in the basamento of Bay 7 of the Vatican Loggia
Pietro Santi Bartoli
1650–77

Teatro Fabrich[e] di Roma

Giovanni Battista Falda

1665–69

Man Subduing a Harpy, With His Arms Bearing Down on the Harpy's Shoulders, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII

Giuseppe Maria Mitelli

1663

Bust of a young man leaning his head on his hand, from a series of twenty-two engravings after Guercino's drawing book, Book on the Principles of Drawing, plate 19

Oliviero Gatti

1619

Plate 41: Samuel anointing David; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael

Pietro Aquila

1675

Cheese Vendor, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 3

Giuseppe Maria Mitelli

printed 1740

Knife Grinder, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 40

Giuseppe Maria Mitelli

printed 1740

Plate 4: Perseus holding the Gorgon's head before an army of his enemies, who turn to stone; from the Galeriae Farnesianae Icones

Pietro Aquila

ca. 1674

Theseus finding his father's arms
Giovanni Benedetto Castiglione (Il Grechetto)
1645 (published 1648)

Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (1)

Theodor Bang

17th century

Plate 3: Two female figures dancing together, holding right hands, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie

Pietro Santi Bartoli

1650–77

Vegetable Vendor, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 24

Giuseppe Maria Mitelli

printed 1740

Justice, at top being crowned by a putti at left, holding balances in her right hand, a woman holding her breasts below, after frescoed pendentives of the Cardinal Virtues (1627–30) by Domenichino in the church of San Carlo ai Catinari, Rome

Pietro del Po

ca. 1650–92